THE PLAYERS:
Elle - Saule Morkunaite
Louis - Joe Hopewell
Lana - Megan Carson
Jesse - Daniel Gardner
Alphonse - Aidan Riddell
Dixie - Inés Cases
THE RULES:
- Shooting must be done on location. Props and sets must not be brought in (if a particular prop is necessary for the story, a location must be chosen where this prop is to be found).
- The sound must never be produced apart from the images or vice versa. (Music must not be used unless it occurs where the scene is being shot.)
- The camera must be hand-held. Any movement or immobility attainable in the hand is permitted.
- The film must be in color. Special lighting is not acceptable. (If there is too little light for exposure the scene must be cut or a single lamp be attached to the camera.)
- Optical work and filters are forbidden.
- The film must not contain superficial action. (Murders, weapons, etc. must not occur.)
- Temporal and geographical alienation are forbidden. (That is to say that the film takes place here and now.)
- Genre movies are not acceptable.
- The film format must be Academy 35 mm.
- The director must not be credited.
Furthermore I swear as a director to refrain from personal taste! I am no longer an artist. I swear to refrain from creating a “work”, as I regard the instant as more important than the whole. My supreme goal is to force the truth out of my characters and settings. I swear to do so by all the means available and at the cost of any good taste and any aesthetic considerations.
Thus I make my VOW OF CHASTITY.
Copenhagen, Monday 13 March 1995
On behalf of DOGMA 95
Lars von Trier Thomas Vinterberg
(This reproduction of the Vow of Chastity taken from Dogme95.dk)
Director's note:
The following film was created as an experiment to blend the style of Dogme 95 filmmaking and British social realism. Having moved out of the UK for 10 years before returning for university, one of the great pleasures of the project was getting to discover the variety of cinematic riches in the country. From Powell and Pressburger to the New Wave to the contemporaty oeuvres of Arnold, McQueen, Meadows, Glazer and more, there is much to continuously celebrate and invest in British cinema. This very degree show is exciting proof of that. Truffaut can bugger off.
-MCRG, JUNE 2022
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